Francesco Albani(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades. | |||
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Apollo and Daphne. Måleriet identifieringen:: 79515 Titta min galleri i Sverige |
Apollo and Daphne. ca. 1615-1620 (1600-1625) Oil on copper of panel 17.5 x 35.5 cm (6.9 x 14 in) ca._1615-1620_(1600-1625) _ Oil_on_copper_of_panel _ 17.5_x_35.5_cm_(6.9_x_14_in) |
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Hermaphroditus and Salmacis. Måleriet identifieringen:: 79560 Titta min galleri i Sverige |
Hermaphroditus and Salmacis. between 1591(1591) and 1666(1666) Oil on copper of panel 14 x 31 cm (5.5 x 12.2 in) cjr between_1591(1591)_and_1666(1666) _ _Oil_on_copper_of_panel _ 14_x_31_cm_(5.5_x_12.2_in) _ cjr |
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Apollo and Daphne. Måleriet identifieringen:: 79595 Titta min galleri i Sverige |
Apollo and Daphne. ca. 1615-1620 (1600-1625) Oil on copper of panel 17.5 x 35.5 cm (6.9 x 14 in) cjr ca._1615-1620_(1600-1625) _ _Oil_on_copper_of_panel _ 17.5_x_35.5_cm_(6.9_x_14_in) _ cjr |
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Cupids to Venus Måleriet identifieringen:: 79605 Titta min galleri i Sverige |
Cupids to Venus 1600(1600) Medium Oil on canvas cyf 1600(1600) _ Medium_Oil_on_canvas _ cyf |
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The Cupids Disarmed Måleriet identifieringen:: 80091 Titta min galleri i Sverige |
The Cupids Disarmed between 1621(1621) and 1633(1633) Oil on canvas Height: 202 cm (79.5 in). Width: 250 cm (98.4 in). cjr between_1621(1621)_and_1633(1633) _ Oil_on_canvas _ Height:_202_cm_(79.5_in)._Width:_250_cm_(98.4_in). _ cjr |
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| Francesco Albani | ||||||||||
| (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades. | ||||||||||
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